2,064 Royalty-Free Audio Tracks for "E Flat Chords"

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Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).
Author: Sciurid
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Secondary dominants in Beethoven's Symphony No. 1, introduction.
Author: Untitled
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00:07
Barbershop bell chord. Pitch bend matches just intervals.
Author: Hyacinth
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00:07
Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).
Author: Hyacinth
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Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.
Author: Untitled
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Diminished seventh chord's use in modulation.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Open and close nightstand drawer.
Author: Gabriela Quintero
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It's a short e. Organ loop i made. Nothing all that interesting. The chord progression is:fmaj7 bm7b5 em7 a7 dm7 g7 cmaj7 gm7b5.
Author: Retronicsyt
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E-piano chord on the yahama psr-295.
Author: Primoferal
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Werckmeister temperament major chord on C.
Author: Created by Hyacinth (talk) 01:20, 13 December 2009 using Sibelius 5 with midi pitch bend on two different notes.
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Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).
Author: Sciurid
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English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.
Author: Frédéric Chopin
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Ives quarter tone fundamental chord.
Author: Aurora Illumina and Hyacinth at en.wikipedia.
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Pythagorean major chord on C.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)
Author: Sciurid
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01:60
Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 41 Prelude No. 21 in B-flat major, BWV 866
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 44 Fugue No. 22 in B-flat minor, BWV 867
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 42 Fugue No. 21 in B-flat major, BWV 866
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 43 Prelude No. 22 in B-flat minor, BWV 867
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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Bergamesca variant, MS. Lute Book, c. 1600.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Debussy Pelleas et Melisande prelude opening.
Author: Created by Hyacinth (talk) 02:11, 30 November 2011 (UTC) using Sibelius 5.
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ii7-subV7-IM7-I6 progression. Chord quality substitution.
Author: Created by Hyacinth (talk) 16:27, 15 December 2010 using Sibelius 5.
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Diminished chord in first inversion in Bach's WTC I, Prelude in G Major.
Author: Hyacinth
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E flat minor9 chord on acoustic guitar.
Author: Unclesigmund
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E flat minor7 chord on acoustic guitar.
Author: Unclesigmund
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viio7 as dominant substitute.
Author: Created by Hyacinth (talk) using Sibelius 5.
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♯IIo7 as dominant substitute.
Author: Created by Hyacinth (talk) 21:46, 14 July 2010 using Sibelius 5.
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Four measure ii-V-I progression in C with Coltrane substitution.
Author: Created by Hyacinth (talk) 03:12, 23 April 2010 using Sibelius 5.
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Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).
Author: Created by Hyacinth (talk) 06:56, 25 November 2010 in Sibelius.
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Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).
Author: Sciurid
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Just minor chord on C: 10:12:15.
Author: Created by Hyacinth (talk) 16:21, 15 December 2009 in Sibelius with midi pitch bend on four (two) different instruments.
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Septimal minor triad on C (C,E7b,G or 6:7:9)
Author: Created by User:Hyacinth 20:01, 5 August 2008 in Sibelius with midi pitch bend on 51,85 for 266.8701171875 cents rather than 266.87 and 80,64 for 701.953125 cents rather than 702.
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C major triad, played by me
Author: Stephen Burnett at en.wikipedia
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0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).
Author: Created by Hyacinth (talk) 07:00, 25 November 2010 in Sibelius.
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Extended dominant relationship in Schubert's German Dance, D. 643, opening.
Author: Created by Hyacinth (talk) 14:12, 22 December 2010 using Sibelius 5.
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